Boyarde’s Pop Art Bottoms, explore her fascination with the female form and the nature of its power, engendered in the ‘pleasure of looking’: Scopophilia. This notion examines all gazes, from narcissism within the subject, to objectification by the viewer. Working with the Pop Idiom Boyarde re-contextualizes familiar subconscious Scopophilic images of all types of art from The Pre-Raphaelites to Lichtenstein, to The Golden Age of Comics, Pulp Fiction novels to icons of photography and cinema. In doing so Boyarde unravels the history of gender stereotype and by painting onto the female body for her canvas, she transforms high art into low art, back into high art, by embracing the wonderful vulgar progress of kitsch.

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